Monday 4 August 2014

Dammy Krane’s sophomore album ‘Enterkraner’ debuts August 21, 2014 · 960 Music Group committed towards creating lasting structure in Nigeria - CEO


Dammy Krane

Redguard




Fast rising Nigerian artiste, Dammy Krane, real name Oyindamola Johnson Emmanuel, will on August 21, 2014, release his debut album.
Titled: ‘Enterkraner,’ the album has beautiful tracks (his new singles) including ‘Amin,’ ’ Sabi Dance,’ ‘In Case of Incasity,’ featuring Davido and so on, were produced by Spellz.
Signed on Hypertek Digital and 960 Music Group alongside superstars like 2Face Idibia, RockSteady and Sir Victor Uwaifo, Dammy Krane, while hanging out with the press last Monday, July 28, 2014 at Spice Out, Victoria Island, Lagos, disclosed that he showed a passion for music quite early in life, at the age of six but started doing music, professionally in 2010. “I started writing my songs from the age of six,” said Dammy Krane.
Born on December 10, 1993, the multitalented singer whose kind of music cuts across all genres but dwells more on 21st Century Fuji, said he loves fuji because he started hearing fuji music early in life. “My mother, Oluwakemi Osodi, was an event manager for a fuji artiste before she travelled out of the country.”
Known for churning out fine tunes, the composer and brilliant performer has worked with some of Nigeria’s popular artistes including 2Face, Davido and Olamide, among others.
Already taking the music industry by storm, Dammy Krane has dropped hits singles like ‘My Dear,’ ‘Uni Girls,’ ‘Lobatan,’ ‘Ligali,’ ‘I Like Girls,’ ‘Throw Back,’ ‘Below,’ ‘Falila’ and so on. Some of these songs are dance tracks, wedding and love songs.
Whoever sees Dammy Krane would think he is 2Face’s younger brother.
He reveals that God orchestrated his meeting with 2Face. “Since then, I have been following his steps, and at the same time honing my skills with hard work and obedience which 2Face taught me. He tells me that he sees himself in me.”

Dammy Krane said God and environment led him to music. “I would have been a medical doctor or a caterer (because I love cooking) if I was not into music.”
He believes that the sky is his stepping stone as he is warming up to dominate the world music scene.
Meanwhile, the Chief Executive Officer of 960 Music Group, Mark Redguard, has reiterated the group’s commitment towards creating lasting structure in Nigeria.
“Nigeria has a lot of music companies and record labels without structure, so the idea of 960 Music Group is to create structures in the industry in terms of funding, marketing and promotions.  We are doing that not in only Nigeria but also in some sub-Sahara Africa and other continents,” said Redguard.
The seasoned professional head of 960 Music Group, who became the company’s CEO in May 2014, revealed that the company started operations in 2013.
Born and brought up in Jamaica, another music centre like Nigeria, he believes that coming to Nigeria is like an extension. “I have been to Nigeria before. With my capacity as CEO and Chief Marketing Officer, I understand the kind of music that comes out of Nigeria.”
Commenting on relationships between managers and artistes, he said that a lot of times, some managers have good intentions towards artistes in terms of funding,  but problem arises when the artiste may not have the talents but we have funds and solid marketing plans so we will always meet the needs of our artistes.
“Right now, we have two labels – 960 Music Group and Hypertek. Under Hypertek, we have 2Face, Sir Victor Uwaifo, Dammy Krane and so on. We also have Aristocrat Label which has Burna Boy, Ozone, Pucado and many others.  “Because music business is very risky, we make sure that the artistes we work with have already proven themselves in the music industry. So when we come in, we come with extra funding, extra marketing and extra promotion to take them to next level. We are not looking for rookies but we are working with labels that have proved themselves so that we keep supporting them and putting them in international stage and organizing shows for them in the Diaspora and in the Sub-Saharan Africa. In a nutshell, we manage sub-labels,” he added.





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